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“Spaces of otherness,” what exactly does this mean? How do you describe a space of
otherness?

This is exactly what Boise State Instructional and Performance Technology professor Don Winiecki was trying to answer and portray in his opening recption last Thursday night with his display of “Heterotropias, Institutional Structures and
Subjectivities.”

Entering the Jordan Ballroom in the Student Union Building was a different experience than when attending most opening reception for an art display.

There was no music or loud chatter in the
reception.

Every attendee was focused on observing the pieces of artwork, displayed not only on the walls but also dangling from the ceiling.

This added an immense amount of diversity to the room and was a portrayal of “spaces of otherness” Winiecki was reinventing through his work.

Winiecki’s work ranged from digital print on paper, gouache on paper, oil, graphite and ink on paper.

Many of his pieces’ titles aligned with the “spaces of otherness” theme throughout his collection.

For instance, his works of art, “Structure?” and “Dueling Ideologies” beg the concept of confusion and interpretation for
the viewer.

“Heterotropias” will be on display in the Student Union Gallery through June 4.

 

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April is Sexual Assault Awareness Month and Boise State has definitely been trying to get involved and spread the word about the devastating impact of sexual abuse.

The Women’s Center is providing a documentary, showing this Thursday, April 25 from 6 p.m. to 8 p.m. in the Interactive Learning Center room 118.

This documentary, “The Invisible War,” shares the horrific happenings of rape within the U.S. armed forces.

Following the documentary showing there will be a 30-minute discussion about sexual assault awareness, prevention and support for victims in the military co-sponsored by the criminal justice department.

Although the documentary focuses on rape incidents in the military, the showing and discussion will provide information, support and resources for all those affected by sexual assault.

When speaking with Adriane Bang, the violence prevention & support coordinator at the Women’s Center, she recognized  sexual assault is an issue on all college campuses.

“Our university recognizes that we must take action to end sexual assault and the administration is supportive of a number of promising prevention initiatives, including funding peer educators who offer programs on bystander intervention, healthy relationships and consent, offering a full time social worker dedicated to offering no-cost support and advocacy to all victims and hosting campus-wide initiatives such as the Bringing in the Bystander Program,” Bang said.

Bang also shared that the Women’s Center Director, Jess Caldwell-O’Keefe, Ph.D., recently collaborated with other campuses and community agencies to apply for a federal grant which would give Boise State the opportunity to prevent and respond to the important issue of sexual assault.

Resources are available on campus for all those who are in need of support from sexual assault.

The Women’s Center provides victims with options and supports them in decisions.

The Counseling Center offers confidential mental health services to students who are directly or indirectly affected by sexual violence.

For more information on this and other upcoming events visit The Women’s Center website.

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Metal is on display in the Student Union Building. The Arts and Metal Club presented their exhibition ‘Catalyst’ on April 4. The reception took place in the Student Union Fine Arts Gallery.

The gallery was filled with pieces of fine art created from various mediums. Copper, silver, resin, embroidery, glass, silk, pearls and even tampons were selected by the artists to create their works of art and express their thoughts and emotions.  Along with the art, the gallery was filled with many artists, students and even non-student attendees who came to view the works of art provided by the Arts and Metals Club.

Many artists attended the event and were able to share their past experiences with metal arts.  One artist at the event was Everett Hoffman, a senior working toward his Bachelor of Fine Arts with an Art Metals emphasis.  Hoffman was very excited about his piece “Cream” which was displayed at the reception and also selected for the front of the Catalyst post card that was mailed out to the public.  Hoffman started his metals experience with an intro class and “loved it.”

“Metal art can be very tedious and frustrating at times, so I think most people either love it or hate it,” Hoffman said.

His piece “Cream” alone took 40 to 50 hours of work, in the span of roughly two weeks.

Peter Kurst was another artist who attended the reception for the Catalyst display.  His experience with metals began with custom automotive work where he discovered how much he loved working with the medium.

Kurst explained he has moved and traveled all across the country, but his favorite place to live is Alaska.  This is definitely shown through his favorite piece “Survival,” which took him 70 hours to complete.

The piece was very complex with copper, silver and elk teeth all used to create this work of art.  Kurst explained  it is actually designed to be worn as a choker, which is an element most may not know about the piece from simply viewing it.

 

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As the lights dimmed, and the orchestra filled the room with an opening drumroll, the crowd hushed with anticipation.

“This is great,” whispered a bystander in the crowd.

March 14 was the opening night for Boise State’s musical production “Thoroughly Modern Mille.”

The 1960’s musical was set in the 1920’s and was about a young gal, Millie Dillmount, who left her southern ways to move to the Big Apple and start a new “modern” lifestyle, in which she encounters a new love, a new job and faces the danger of sex trafficking.

The vibrant cartoon backdrop of an old 1920s downtown city set the perfect tone for this lively musical.  And the costumes were all types of glamorous for the men and women in the performance. Costume designer, Darrin Pufall, captured the 1920s through the women’s sequined dresses, feather caps, gloves and the men’s rustic suits and brief cases.

Not only was the set outstanding, the performances by all actors in the musical were top-notch as well. Stand out vocals from actresses Tess Gregg, who played star Millie Dillmount, and Nicole Snelgrow, who played the role of Dorothy Brown, a young southern bell, were phenomenal.

The star men in the musical, Alaggio Laurino, who played Jimmy Smith, Millie’s new love, and Robert Tombari who played Trevor Graydon, Millie’s boss, were also phenomenal.

All actors could not only act and sing they could also dance (including tap dance) as well.

One of the biggest hits of the show was Sasha Allen-Greives’ performance of Mrs. Meers.  The comical Asian landlord of the Pricilla Hotel for Young Actresses brought humor to the stage that the audience thoroughly enjoyed.

Mrs. Meers was no doubt one of the favorite roles in the performance and had the crowd laughing each time she hit the stage.

Judging from the audience’s reactions after curtian-fall, “Thoroughly Modern Millie” was a great success.

The competant acting, singing, dancing and production as a whole were impressive and director, Richard Klautsch, did an excellent job from top to bottom.

 

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Last Friday, a commotion bursted from an upstairs ballroom in the Student Union Building. Entering the room, there were smiling faces all around, laughing and chatting with one another.

The live, acoustic guitar melody playing in the background from the musician casually sitting in the corner set a soothing and inviting mood. And the huge spread of snacks and appetizers filled the room with a pleasantly delicious aroma.

But what was most appealing about the busy room was the articulate art filling it. Feb. 28 marked the opening reception for the art exhibition, “Opening Doors: A Glimpse into the Artist Minds.”

This exhibition contained various pieces of art, many made with media such as acrylic on canvas, found object assemblage, watercolor and porcelain. The common theme throughout the exhibit pertained to doors. Many of the doors created by artists were covered in words, symbols or pictures, all with different messages which were left up to interpretation by the viewers.

There were also many other pieces in the gallery which were unique all on their own. Artist Susan Rooke had several pieces on display, created with hand-built clay under glazes, all of which were focused upon different faces, often times with bodies and elements of nature.

“I like the interaction between the human and animals, it’s genuine” said Rooke.

Rooke explained how some of her favorite pieces have come from accidents, so you never know what you may create until after you have started.

Another talented artist with art on display at the exhibit was Patt Turner, a former art professor at Boise State.  Her “Arab Springs Series, Foment” was created by graphite on paper, and she explained her motivation for the piece was inspired from her “interest in making energy.”

When asked what benefits Boise State students could obtain from having such a diverse art exhibition here on campus she replied, “All students should be exposed to good art; it is a huge part of education.”

“Opening Doors” will be on display through March 25.

 

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The day filled with extra affection can tend to get a tad too hot and heavy, leaving embarrassing marks, otherwise known as hickeys.  But don’t fret; there are solutions to get rid of these marks other than that terrible turtleneck or scarf.

 Option 1: 

Apply ice:  As soon as you realize you have a hickey, wrap ice in a paper towel and apply it to the area. This will reduce the swelling and constrict the capillaries under the skin so the color doesn’t get even more severe.

 

Option 2: 

Massage it out: Massaging the hickey will help break up the blood clots, which will help reduce that embarrassing reddish, purple color on your neck. Try a frozen spoon to reduce swelling while simultaneously massaging or use a toothbrush for extra pressure.

 

Option 3: 

Twist it out:  This is only to be used when desperate, being this is a tad bit of a painful method.  Use a small cap, could be from a chapstick, lipstick, (probably not a beer cap from last night’s happenings) and twist it into the hickey.  The steady pressure and deep penetration works the blood from the bruise deeper into the skin.

 

Option 4: 

Tea bags: Warm moist tea bags will help the discoloration.  Reapply until a difference is apparent.  This seems to be the slower solution of the five options.

 

Option 5: 

Vitamin K:  This particular vitamin works wonders and can be purchased in the form of a cream.  This helps reduce the darkness of the hickey quickly.

 

Now you are all prepared for heated mistakes, and if all else fails, grab your scarves and your hoodies—at least it’s winter so you’ll blend right in.

 

 

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The streets of Boise on Thursday night were filled with people bustling about from one downtown shop to the next. Doors of shops were held wide open and welcoming signs were placed outside on walkways.

The sun was just beginning to set and the mood seemed just right for a night on the town filled with art, food, fun and of course, love.

The first Thursday of each month, from 5 to 9 p.m., downtown Boise offers unique art showings, live musical performances, clothing promotions and dining deals. This first Thursday galleries seemed to be sending the message of love to Boiseans.

Senior Erika Sather-Smith had her exhibit, “Love and Hate,” on display at “Bricolage” on Sixth Street for the public to see. People were taking pictures, having conversations and enjoying the atmosphere she created for her display.

The exhibit was solely created by her. She covered areas of the room in the cones used in her Bachelor of Arts exhibit which radiated with bright colors and patterns which she screen printed onto the cones.

Even the lilac purple backdrop in the room was assembled and painted by Sather-Smith. In front of the backdrop consisted her collection of etchings, all of which resembled “Love and Hate.”

Sather-Smith explained her work as very subjective and said others may have different interpretations of what the message is behind this particular exhibit.

But Sather-Smith said her personal message is “the struggle of acceptance that there’s love and hate and finding the somewhere in between.”

Sather-Smith said her favorite piece in the collection is her first etching she created a few years ago which she views as her inspiration: “Woodland Tears.”

“The others don’t have titles,” Sather-Smith said as she referred to the other etchings in the exhibit. “I’m still working out how I feel about the stuff that I make.”

Although very talented, as any other student here at Boise State, she is continuing to learn and grow and is finding herself as an artist.

There is something Sather-Smith has certainly perfected: the ability to put together multiple exhibits.

She also had work on display at the Sesqui-Shop on Main Street where the Boise 150 organization had many other talented artists work on display.

Her exhibit at the Sesqui-Shop included a photo booth project, created to encourage Boise State students to submit their own artwork to take place as the backdrop in every First Thursday event. This Thursday, the backdrop consisted of the colorful screen-printed cones from her Bachelor of Arts exhibit last year, which were also placed at  “Bricolage.”

There was a professional photographer on the scene to take event goers photos to be placed in the Boise 150 digital archives, and provided posing fun at the event for all ages.

Sather-Smith wasn’t the only one wanting to share the love Thursday night. Gallery 601 on Tenth Street had many African safari art pieces on display by talented artists Simon Combes and Robert Aswani. But this African display meant more than providing beautiful wildlife artwork to the public.

Owner Christine Otradovec said they are involved in the “Daphnae Sheldrick Project” which is an organization where interested participants can actually adopt an elephant or rhino in Africa for a mere ten dollars, therefore they encourage their buyers to do so.

“Last year we used blackmail” Otradovec said, explaining that she and her husband invited 50 of their closest family and friends to the event last year and took all of their photographs. They then blew up the photos and placed them all over the gallery.

“The only way they could get their photo down off the wall was donating to the foundation or to adopt an elephant” Otradovec said. “We raised over $500.”

Oftentimes elephants and rhinos can get separated from their family, or have their mother die, which leaves them helpless in the wild. This is why it is so important to give them the attention they need. Otradovec and her husband have adopted 10 elephants, and have traveled to Africa several times.

They are caring individuals who are in fact, looking to share the love in Africa.

 

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